The original building is a 100-year-old Tianjin shipyard, respecting and paying tribute to the historical significance of the original building. The designer designed the project through the concept of a large ship driving on the sea, connecting the original showroom and the sales office which two separate buildings, through a corridor to form a complete building, and using the streamlined shape of the ship to design the building's outline, and with the design of the waterscape, the shape of thea large ship driving on the sea is formed.
Villa AT is located on a high vantage point, with an L-shaped floor plan pivots around a long curved glass façade, offering cinematic views of the landscape. The house stands in contrast to these boxy, conventional forms with a curving façade that uses wood in a fluid, contemporary way. Thin timber slats gently curve around the façade to create strong but soft forms. From a distance, the Villa AT has a serene, minimal appearance, but up close the rough texture of timber slats become apparent.
Loong Palace draws on the painting Fairyland of Peach Blossoms by the painter Qiu Ying in the Ming Dynasty for the context. It covers about 17,000 square meters and faces the Western Hills of Beijing. Adhering to the product proposition of cultural relics begets all things in the world, the project becomes a new landscape combined with the pith of southern and northern gardens to realize the ideal living environment for modern people.
The outline of the external form adopts the thinking mode of modern architecture. The designer extracts the image of geometric clouds from the origami concept and extends the irregular shapes. With the same type of white film as the internationally renowned Burj Al Arab, the two elements are integrated through structural changes, which bring out the best in each other. The building gives people a concise feeling with a balanced and modern texture, and endows the space with different personalities, while leaving a lasting aftertaste.
The Nine-Court Mansion, a high-end eco-residence project in Chongqing, is meant to create a new life style of Oriental implication by incorporating the stable spirit of Oriental tradition, exploiting the modern Oriental artistic expression and upgrading the function of residential areas. By reference to the spatial layout method from the Imperial Palace, nine spaces are constructed and grouped into three steps of the home-returning ceremony which are Entering the Gate to Behold the Mansion, Enjoying the Scenery in the Courtyard and Resting the Soul at Home respectively.
Z Line House is one challenging project of private residential that is built through a long five years of design and construction. The geometry of the house is aimed to maximize the existing site's potential, a series of calculated geometric and sculpture like interventions on the facade exploits the tension between conflicting elements. The geometry is optimised in such a way to control the water flow from the rainfall condition in tropical area. The result is an optimised geometry for a specific site that was parametrically calculated to have an optimum performance.
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