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The SV Villa premise is to live in a city with the privileges of the countryside as well as contemporary design. The site, with incomparable views of the city of Barcelona, Montjuic Mountain and the Mediterranean Sea in the background, creates unusual lighting conditions. The house focuses on local materials and traditional production methods while maintaining a very high level of aesthetics. It is a house that has sensitivity and respect for its site
An important aspect of the investment is scheduling, sustainability and expandability. Adapting to unexpected economic situations. This is also true of landscape architecture and architectural elements. The medicinal water steam chamber, the potable spa water and the swimming pool swimming on the surface of the lake provide a new quality of sauna, which can only be here in Hungarosauna. The building has a cross-laminated bridging beam with a wooden pillar frame. In a homogeneous way, a wood-like statue is covered inside and out with timber surfaces like a tree trunk.
Casa Lupita pays tribute to the classic colonial architecture of Merida, Mexico and its historic neighborhoods. This project involved the restoration of the casona, that is considered a heritage site, as well as architectural, interior, furniture and landscape design. The conceptual premise of the project is the juxtaposition of colonial and contemporary architecture.
This project redefines the morphology of a residential building with two bevels on both sides to improve the quality of life and prevent the repetition of similar and neighboring buildings. Tried to create a dynamic view by cutting parts of the bevels and creating full and empty spaces in the play of light and shadow and despite similar plans, define an independent identity for the units and the building by creating a different view and perspective, and transform the elevation to in between space, to form different narratives of the flow of life inside the building.
This is a store/factory plan that manufactures and sells Mizunasu, a specialty of Japan. The interior of the store is simple and finished in a modern space where you can feel Japanese elements. The exterior, which can be seen from the road in front, contrasts with the windowless factory area on the right, and the store on the left has an opening overlooking the store, designed to encourage customer guidance. A different material is used as an accent in the center, and the design takes into consideration the balance between the left and right sides.
The Box is a four-story house built on a small site in a rural setting. The white facade is composed of solid and recessed squares that form a simple geometric volume. Mineral paint is used as the facade finish, as it is durable, easy to clean and reflects heat radiation. The kitchen and dining area face a double-height space, so cooking sounds and smells reach the floor above and bring the family together. A composite west wall and a vertical ventilation shaft reduce solar heat and move air through the interior. Staggered floor slabs frame views of the landscape.
Nippo Head Office is built over a multilayered intersection of urban infrastructure, a traffic artery, an expressway, and a park. Nippo is a leading company in road construction. They define "Michi", which means "street" in Japanese, as the basis of their design concept as "what connects a variety of components". Michi connects the building with the urban context and also connect individual workspaces with each other. Michi was enhanced to forge "creative connections" and to realize the "Junction Place", a unique workplace possible only here at Nippo.
The Vitra Tower is a medical office building with offices and clinical rooms with eleven floors, located on a corner lot in the city of Santo Angelo, in the interior of the state of Rio Grande do Sul, Brazil. With a total of 22 private offices, the building sought an architecture that conveyed seriousness, bringing legitimacy to the services offered inside, but that was also pleasant and comfortable for users.
The project location is in Hsinchu City, Taiwam; it's a rezoning area from farmland and a military base. The village that once stood there dates from 1950. The memories of the old village and childhood neighborhood are rapidly disappearing with modern development. The ideal of this project is to recreate a space that reminds one of an old village by using modern architecture, a place where streets and courtyards are available for children to play in and nature is nearby, and to stimulate diversity for each household through a combination of residential and park.
Continue reading about Dua Tau Din Village Residential Building
Wenjiang Shouan is a flower exhibition center built in Minjiang village, Shouan town, Chengdu, Sichuan Province, China. The building brings together a flower planting exhibition area, a business conference center, a township training center and a sales space for local products. The roof follows the traditional form of Sichuan folk houses and is made of blue tiles and a local timber structure. A free spiral line fills the irregular triangular site and is stretched vertically to shape the interior. Skylights and scattered facade openings bring natural light inside.
Continue reading about Wenjiang Shouan Flower Exhibition Center
Mermaid Town Reception Hall is a cultural building in Zhouning, Fujian, China. The complex covers 12000 square meters and serves as a tourism distribution center and a cultural activity center. The design combines square and circular forms, inspired by the local earth fort architecture. A circular corridor marks the boundary between the two buildings and gives shelter from strong summer sun and from rainy, cold winters. Exterior walls are finished with white texture paint and handmade gray brick. Spatial axes link the halls to a nearby brook, a lake and a mountain.
Medieval Rethink was a response to a private commission to build a Cultural Centre for a small undisclosed village in the Guangdong Province, which dates back 900 years to the Song Dynasty. A four storey, 7000 sqm development is centred around an ancient rock formation known as the Ding Qi Stone, a symbol of the origin of the village. The project’s design concept is based on showcasing the history and culture of the ancient village whilst linking the old and the new. The Cultural Centre stands as a reinterpretation of an ancient village and a transformation into contemporary architecture.